博文
科学-艺术-创新-主观客观化（DIKWP真实链与DIKWP艺术链）
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Science-Art-Innovation-DIKWP
January 2023
DOI:
Project:
DIKWP: Semantic Computation-Existence Computation-Essence Computation-Cognitive Computation
Yucong Duan科学-艺术-创新-主观客观化（DIKWP真实链与DIKWP艺术链）
段玉聪（Yucong Duan）
DIKWP research group, Hainan University
duanyucong@hotmail.com
雅斯培即卡尔·特奥多·雅斯贝尔斯(Karl Theodor Jaspers)讲理性失败之处才是哲学开始的地方，这和伯特兰·阿瑟·威廉·罗素后期将逻辑排除到哲学之外是一致的。那么格奥尔格·威廉·弗里德里希·黑格尔(Georg Wilhelm Friedrich Hegel）认为现代哲学的失误源于拉丁语对希腊哲学的翻译错误的观念并未彻底揭示“承载逻辑语义的文本语言对于哲学作为一种语义认知的传达与通信的无力与间接性”。虽然很多纯粹的哲学家们都已感觉到了这种无力，弗里德里希·威廉·尼采(Friedrich Wilhelm Nietzsche）宣称音乐是哲学的最高形式，路德维希‧约瑟夫‧约翰‧维特根斯坦(Ludwig Josef Johann Wittgenstein）在逻辑哲学论中用概念的关联语义去和概念进行抗争。
相较于仍然陷于自然语言表达语义的泥潭之中的哲学家们，王羲之从巫世家传将主体醉入客体实现了行为感性和载体理性的一体化书法呈现。从保罗·塞尚（Paul Cézanne）开始的现代画家已经操起更直接的语义媒介-突破形状或色彩的概念差异直接面向语义认知进行表达和交流，开创现代艺术的超越概念的语义认知性。萨尔瓦多·达利（Salvador Dali）将西格蒙德·弗洛伊德（Sigmund Freud）对梦境主观世界的精神分析转化为客观形象认知。巴勃罗·毕加索(Pablo Picasso)则直接颠覆客观视觉表达导向，直接面向主观客观化实现客观数据到主观信息的认知转化呈现，并宣称“我画的是我所知道的，而不是我看到的”。从DIKWP的现实理念链看来，毕加索实现了超越数据客观真实的主观信息真实的真实呈现。
DIKWP的现实理念链包括：涵盖客观实质的数据真实/实在（Data Reality/Truth）, 呈现主观实质的信息真实/实在（Information Reality/Truth）, 呈现想象实质的知识真实/实在（Knowledge Reality/Truth）, 呈现冲突真实及协调平衡认知的智慧真实/实在（Wisdom Reality/Truth）, 和呈现未知即发展实质的意图真实/实在（Purpose Reality/Truth）,更像是一个 DIKWP 数字艺术链（Digital Reality/Truth Chain）：
DIKWP Digital Reality Chain
::=Data Reality->Information Reality->Knowledge Reality->Wisdom Reality->Purpose Reality
DIKWP数字真实链
::=数据真实->信息真实->知识真实->智慧真实->意图真实
在希腊的经验中，技术与工艺等都是艺术的一部分，这可能是当时信息传递效率和范围受限，从而不对称所带来的新意也能满足认知空间的探索体验。在现代信息技术的背景下，艺术作为一种越来越面向认知体验创新诉求，也越来越被埋没于创新形式的大数据（D）浩瀚、主体信息（I）认知的距离增长、知识（K）认知系统的固化排他、智慧（W）价值的惯性增长、以及对创新意图（P）的丧失：DIKWP的相对认知过载。
不破不立，也许对称的知识经济和对称的智慧经济的到来的最大的创新的束缚就是在不对称的数据经济和不对称的信息经济基础上构建并续存的知识产权机制。
数字艺术正在元宇宙中扩展，涵盖呈现相同语义及多数归纳认知审美的数据艺术（Data Art）, 呈现差异语义及偏序关联认知审美的信息艺术（Information Art）, 呈现完整假设语义及类型实例关联认知审美的知识艺术（Knowledge Art）, 呈现冲突语义及协调平衡认知审美的智慧艺术（Wisdom Art）, 和呈现未知语义及发展认知审美的意图艺术（Purpose Art）,更像是一个 DIKWP 数字艺术链（Digital Art Chain）：
DIKWP Digital Art Chain
::=Data Art->Information Art->Knowledge Art->Wisdom Art->Purpose Art
DIKWP数字艺术链
::=数据艺术->信息艺术->知识艺术->智慧艺术->意图艺术
References:
[1] Yucong Duan, DIKWP Ultimate of Digital Economy: From Asymmetric Data Economy, Asymmetric Information Economy to Symmetric Knowledge Economy and Symmetric Wisdom Economy, November 2022，DOI: 10.13140/RG.2.2.32178.48328
英文原文章阅读链接：
中文全文章阅读链接：
https://blog.sciencenet.cn/home.php?mod=space&uid=3429562&do=blog&id=1365170
[2] Yucong Duan, A philosophy of Purpose Driven Data, Information, Knowledge, Wisdom: DIKWP Philosophy (Purpose Driven Data, Information, Knowledge, Wisdom : DIKWP Philosophy)
英文原文章阅读链接：
中文全文章阅读链接：
https://blog.sciencenet.cn/home.php?mod=space&uid=3429562&do=blog&id=1371722
[3] Yucong Duan, Uncertainty Processing: What is Objectification of Subjective Content AND Why we need the Transformation from Subjective to Objective？
英文原文章阅读链接：
中文全文章阅读链接：
https://blog.sciencenet.cn/blog-3429562-1332419.html
Science-Art-Innovation-DIKWP
Yucong Duan,
DIKWP research group, Hainan University
duanyucong@hotmail.com
Jaspers, Karl Theodor Jaspers (Karl Theodor Jaspers) said that where reason fails is where philosophy begins, which is similar to Bertrand Arthur William Russell's later exclusion of logic from philosophy outside is consistent. Then Georg Wilhelm Friedrich Hegel's notion that the errors of modern philosophy stem from a mistranslation of Greek philosophy from Latin does not fully reveal that "textual language bearing logical semantics The impotence and indirectness of the delivery and communication of philosophy as a semantic cognition". Although many pure philosophers have felt this impotence, Friedrich Wilhelm Nietzsche declared music the highest form of philosophy, Ludwig Joseph Johann Wittgenstein Josef Johann Wittgenstein in the Tractatus Logico-Philosophic to fight concepts with their associative semantics.
Compared with philosophers who are still mired in the quagmire of natural language expression semantics, Wang Xizhi intoxicated the subject into the object from the family biography of the shamans to realize the integrated calligraphy presentation of behavioral sensibility and carrier rationality. Modern painters starting from Paul Cézanne have used a more direct semantic medium - breaking through the conceptual difference of shape or color to express and communicate directly towards semantic cognition, creating a semantic cognition that transcends concepts in modern art . Salvador Dali transformed Sigmund Freud's psychoanalysis of the subjective world of dreams into objective image cognition. Pablo Picasso (Pablo Picasso) directly subverted the orientation of objective visual expression, and directly faced subjective objectification to realize the cognitive transformation and presentation of objective data into subjective information, and declared that "I paint what I know, not what I see Arrived". From the perspective of DIKWP's reality concept chain, Picasso has realized the true presentation of subjective information beyond the objective reality of data.
The reality concept chain of DIKWP includes: Data Reality/Truth covering objective essence, Information Reality/Truth presenting subjective essence, Knowledge Reality/Truth presenting imaginary essence ), presenting the reality of conflict and coordinating and balancing cognitive wisdom (Wisdom Reality/Truth), and presenting the unknown (Purpose Reality/Truth) that is the essence of development, more like a DIKWP digital art chain (Digital Reality/Truth Chain):
DIKWP Digital Reality Chain
::=Data Reality->Information Reality->Knowledge Reality->Wisdom Reality->Purpose Reality
the
DIKWP Digital Truth Chain
::= Data is true -> Information is true -> Knowledge is true -> Wisdom is true -> Intent is true
In the experience of Greece, technology and craftsmanship are all part of art. This may be due to the limited efficiency and scope of information transmission at that time, so that the novelty brought by asymmetry can also satisfy the exploration experience of cognitive space. In the context of modern information technology, art, as an innovative appeal that is more and more oriented towards cognitive experience, is also increasingly buried in the vastness of innovative forms of big data (D), the increase in the cognitive distance of subject information (I), The fixed exclusivity of knowledge (K) cognitive system, the inertial growth of wisdom (W) value, and the loss of innovation intention (P): the relative cognitive overload of DIKWP.
What cannot be broken cannot be established. Perhaps the biggest innovation constraint for the arrival of a symmetrical knowledge economy and a symmetrical smart economy is the intellectual property mechanism that is built and survived on the basis of an asymmetric data economy and an asymmetric information economy.
Digital art is expanding in the Metaverse, covering Data Art that presents the same semantics and most inductive cognitive aesthetics, Information Art that presents differential semantics and partially-ordered cognitive aesthetics, and presents complete hypothetical semantics and types Knowledge Art (Knowledge Art) associated with cognitive aesthetics, Wisdom Art (Wisdom Art) that presents conflicting semantics and coordinated and balanced cognitive aesthetics, and Purpose Art (Purpose Art) that presents unknown semantics and develops cognitive aesthetics, more like A DIKWP Digital Art Chain:
DIKWP Digital Art Chain
::=Data Art->Information Art->Knowledge Art->Wisdom Art->Purpose Art
DIKWP digital art chain
::= Data Art -> Information Art -> Knowledge Art -> Wisdom Art -> Intent Art
Reference:
[1] Yucong Duan, DIKWP Ultimate of Digital Economy: From Asymmetric Data Economy, Asymmetric Information Economy to Symmetric Knowledge Economy and Symmetric Wisdom Economy, November 2022，DOI: 10.13140/RG.2.2.32178.48328
[2] Yucong Duan, A philosophy of Purpose Driven Data, Information, Knowledge, Wisdom: DIKWP Philosophy (Purpose Driven Data, Information, Knowledge, Wisdom : DIKWP Philosophy)
[3] Yucong Duan, Uncertainty Processing: What is Objectification of Subjective Content AND Why we need the Transformation from Subjective to Objective？
https://blog.sciencenet.cn/blog-3429562-1372464.html
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