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永远的勃拉姆斯(100):享受一次爱抚

已有 4149 次阅读 2013-12-5 12:26 |个人分类:音乐|系统分类:人文社科| David, 勃拉姆斯, Oistrakh

很久没有写勃拉姆斯了,工作忙,私事也忙,哈!

不过,痛苦孤独的时候还是经常的。没办法,是经常。这样的时候,就只好听听他的音乐了。

比如听他的A大调第二号小提琴奏鸣曲,就是享受一下爱抚吧!

我喜欢的是David Oistrakh的演奏,姜是老的辣。http://www.youtube.com/watch?v=n4n9kUbzmGY

没时间写,就抄一点吧:


Sonata Op. 100 (1886)


1. Allegro amabile

2. Andante tranquillo - Vivace - Andante - Vivace di piu - Andante - Vivace

3. Allegretto grazioso (quasi andante)



Brahms spent the summer of 1886 at his favorite retreat at Lake Thun, near Interlaken in Switzerland. There he concentrated on writing lieder and chamber works, among them his second cello sonata (F Major, Op. 99), the second violin sonata (A Major, Op. 100) and the third piano trio (C minor, Op. 101)


The A Major Sonata is probably the most lyrical of Brahms's three sonatas for violin and piano. The reigning characteristics of the second violin sonata reflect Brahms's personality - his shyness and introspection, his originality and his intensity, sometimes all at once. The work transports the listener into the private world of its creator.


The sonata begins with a direct and immediate theme, first presented by the piano and then taken up by the violin. Serving as an antecedent to the dramaturgical line that is to unfold in the rest of the piece, the melody is sweet in its simplicity and powerful in spite of its lack of bombast.


Whereas in the first movement one theme flows directly into the next, and the conversational interchange between the two instruments is intriguing, the second movement can be separated into two alternating sections. Beginning with the bucolic Andante, the folk-like Vivace enjoys a slight hint of humor. The movement ends in a short, light blaze of excitement.


The finale, Allegretto grazioso, is unusual in that it is devoid of the usual bravura excitement in Romantic-period works. The graceful and elegant rondo begins with a soulful line expressed in sustained legato. Mid-movement, there is a rather sudden passionate outburst and emotional upheaval. However, the poignantly calm theme of the opening returns to end the work in an expression of triumphant dignity.





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